I am a humble chef, however, I most certainly will try to formulate my thoughts about the film, because it's extremely dear to my heart.
If a male with a revolver gets journey train within the prologue of Sergio Leone's film, then he must have something to say. The silent wanderer looks after a bitter story deep in his heart, his secret weighs heavily on his soul. However, even being sentimental in moments of relative solitude, the traveler is decisive, and in his eyes you will observe anger that has accumulated across the years. He is not who he seems. The wanderer's name is Douglas Mortimer, occasion military man and already a bounty hunter. If viewers with the film listen towards words of the flabby old man chained to a bed (a funny grandpa appears closer for the core film), they will learn the trains, these damned and noisy objects, are the culprit for everything. Alas, but earthly hardships will not be tied to trains and Douglas Mortimer is well aware of this, his problem contains bones, flesh and blood. The smoothness, played by Lee Van Cleef, cherishes the soul with thoughts of revenge, but not simply revenge is in the centre on the plot of Sergio Leone's brainchild, because as well as the retired colonel, there may be another hero from the film. Fast, accurate, discreet, another bounty hunter. A minimum of curious, but at most wildly interesting, specifically when the “one-armed” shooter is played by Bruce Lee in the field of Westerns - Clint Eastwood. It's simple to guess that the paths of Mortimer along with the nameless shooter will cross in the world in the wild west. The spaghetti is already from the pot.
In A Few Dollars More, phrases including “in 10 minutes you can be smoking in hell” or “you will need a new sheriff” are inevitable. The hero of Clint Eastwood is shown for a shooter whose abilities would be relevant in a sci-fi novel, but the only thing that is claimed can't be attributed to the disadvantages in the narrative. Even the most absurd moments while in the Western genre and within the skillful direction of Sergio Leone become salt for spaghetti, and the history with the partnership between One-Handed and Colonel Mortimer tenaciously keeps viewers at the screens, which are likely visited by such thoughts: ¬¬ “I'm wondering what may happen further? Will One-Armed and Colonel Mortimer find mutual understanding? ” “Some dollars more” - shootings, chases, music of contributions, personifying next of death, here satire, as well as foolishness, lives hand and hand with drama and ironically interpreted religious motives. And, finally, the storyplot shown by Sergio Leone may be the archetype of assorted paintings, where partnerships flow into friendship, though into a form of friendship, during this friendship someone can shoot someone in the neck in order that he is not killed by the thugs of one more boss. The hearth is burning under the pan. The spaghetti starts to boil.
Sergio Leone's tape is indeed a classic with the genre, and this is clear to see by the sound of bullets fired through the heroes, bank robberies as well as long glances that two shooters exchange until the decisive shot, that shot that decides human destiny. The creators not simply draw attention to their creation (and they generally do it well), but in addition touch on burning topics in most instances of the film, not afraid to scoff at corrupt politicians and cunning businessmen, using original script moves. Additionally, it truly is in excess of interesting to look at a number of Clint Eastwood and Lee Van Cleef - the heroes of the earlier and new generation of westerns who, finding myself the images of Manco (One-armed) and Colonel Mortimer, now and then prove something together, competing inside possessing a revolver and doing of sieve hats. Hmm, something's getting hot in the kitchen space, phew, you're ready serve spaghetti within the table. Winnie, your guests are waiting, hurry up, they're hungry and now taste Leone's signature spaghetti. It is hard for the expressive chef to find a good helper these days. Spaghetti is served, but wait a second, dear guests.
Undoubtedly, Sergio Leone within his “A Few Dollars More” demonstrates to everything about cinema the lion's share of his talent and professionalism, and the photo itself can be considered hypertrophied dominating before the very first film of your trilogy, which attracted a persons vision on the expressive Akira Kurosawa. A long time later, Leone's brainchild tries to please a wide range of people, as well as film succeeds: those viewers who wish a dramatic story understand it, individuals who love shooting and duels are satisfied, and connoisseurs of satirical humor might be satisfied after watching. Are you aware that music, you'll be able to speak briefly - Ennio Morricone. Dear listeners, perhaps I'm too excited, which makes my head a bit confused, but in the event you watch an incredible film of my fellow countryman car should be done, you'll be convinced in the correctness of my words. However, I cannot hide my bias, I actually love the stories concerning the shooters with the wild west, where there's two completely different bounty hunters chasing the same victim, but not the identical motives. Oh, I almost forgot, season with spaghetti sauce and garnish with basil. Looks pretty good. Enjoy your meal!
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